Dead Man’s Bones – “My Body’s a Zombie for You”

If someone came up to you and said “My body’s a zombie for you”, how would unsecured loans you take that? Is it a compliment, an insult, or just plain creepy?

It’s not very often that an artist uses the walking dead as a metaphor to expresses his love, but that’s precisely what Ryan Gosling is doing in the bizarre single off of his 2009 bad credit loans self-titled album Dead Man’s Bones (ANTI- records). The addition of the Silverlake Conservatory Children’s Choir as backup singers doesn’t make the track any less eerie, and neither do the video’s cartoon images of the Tinies meeting unusual deaths, all in rhyme and alphabetical order (“A is for Amy who fell down the stairs, B is for Basil assaulted by bears”).

Death and monsters aside, at the end of the day, this really is just a good old fashioned love song. So this Halloween, say I love you the Dead Man’s Bones’ way: “Honey, my body’s a zombie for you.”

Lonely island interview

Universal Music Canada

Saturday Night Live's Andy Samberg, Jorma Taccone and Akiva Schaffer may be best known for their digital shorts, like their Justin Timberlake-assisted 'Dick in a Box' and 'Motherlover,' but the trio also known as the Lonely Island have actually been making music since they were high-schoolers. Still, it was a shock to them as much as us when their debut album actually landed a Grammy nomination for their hip-hop parody 'I'm on a Boat' with T-Pain.

Now that they're legitimate musicians, the BFFs are back with their sophomore album, 'unsecured loans Turtleneck and Chain.' They sat down with Spinner to talk about being taken seriously, why they're not too macho to say "no homo" and how Michael Bolton punched them in the face.

You got nominated for a Grammy which is both awesome and ridiculous. How did it affect making the new record knowing that people were going to take it that seriously?

Schaffer: In the song 'We're Back,' we mention that we're Grammy-nominated. It made for a very pretentious recording experience: a lot of sage and different things being used to purify the recording room; a lot of massages and oils.

Taccone: We all have crazy attitudes now.

Did you notice a difference between your song 'I'm on a Boat' and the songs you were nominated against?

Taccone: Yes. Those were real songs.

Samberg: Ours was a fake song.

But what is a fake song? I've been on dance floors where the DJ spins 'I'm on a Boat' and people just lose their s---.

Samberg: That's awesome.

Taccone: Maybe it's just intention. Our intention was to make people laugh, and we might have won if we were up for a comedy category instead of being up against, like, 'Run This Town' and some of the best songs of the year.

I'm sure you would have won if you were nominated for bad credit loans a comedy award, but it's funnier that you weren't. 

Taccone: That's true.

Watch Lonely Island's Video for 'I'm on a Boat' Ft. T-Pain

Why parody genres as a whole rather than doing specific songs like 'Weird' Al does?

Samberg: He kind of has the market cornered on that in a great, consistent way. Also because when we started out, we started doing it the other way.

Schaffer: Nothing against his way. And he makes original songs too. We just started by making original songs loosely inspired by pop music.

Samberg: We were also heavy into Tenacious D and stuff when we started. That was kind of like our inspirado, if you will.

Taccone: And we had equipment lying around so we could sample records and make beats out of them and that's how we started making music basically.

How similar is this to pre-'SNL'/Channel 101-era stuff you were doing?

Samberg: Not that dissimilar. It's just that the budgets have gotten bigger and the guest-stars have gotten bigger.

Schaffer: But in terms of how the stuff is created, it's very similar. It's just the three of us in a room coming up with ideas and then executing them and editing them to their completion.

Did you ever think back in the day that you would be making albums?

Samberg: Well, we certainly hoped!

Schaffer: I don't think we were thought we'd be doing it at this level.

The lyrics are funny and the delivery is funny, but the music itself sounds like something you could totally hear on the radio.

Schaffer: Thank you. That is certainly our intention. Comedy obviously comes first by a long way, but it's kind of like doing an impression where the more accurate the impression, the funnier the jokes are. We tried to do our best with our limited musical knowledge to create songs that feel like real songs. The more real the songs, the better the comedy is going to be.

It also sounds like you're not just making fun of the genre. Remember the Darkness? They were totally reveling in hair metal's excess but they also loved it. 

Taccone: We love the Darkness! And that is an important part of it. We obviously love music and love hip-hop and that is a part of it. So hopefully, there is a respect for music that comes through where we're just using that form of music to tell jokes, basically.

Is there something about rap and R&B that makes it easier to parody?

Taccone: I think it's more that we don't play instruments and we grew up listening to it and loving it.

Samberg: And we can't sing.

Schaffer: We can't sing. We listen to a lot of indie rock now, but really just as fans. But with rap, because it's something we've listened to our whole lives, I think that our knowledge of it is just a little deeper.

Samberg: It comes easier to us. We're more steeped in it, for sure.

Part of it is that modern rap takes itself so seriously compared to, say, Biz Markie talking about picking boogers back in the day.

Schaffer: Rap takes itself seriously kinda like the way metal takes itself really, really seriously -- which is what Tenacious D were aping. Rap is very macho, it's very much bragging, so it's always funny to make songs that are making fun of ourselves, kind of the opposite of what those songs are.

Samberg: I will say that there's still a lot of rap out there now that has a sense of humor, it's just certain kinds. I'm not saying we're making fun of rap. We're kind of relishing in it, I think.

Hip-hop's machismo often comes out as homophobia, which you address in the song 'No Homo.' 

Samberg: No homo has become so ubiquitous a phrase that we felt like it had to be addressed. We saw little kids saying it, like, "Wanna come over and play, no homo" and it just seemed ridiculous so we wrote the song. We hope the reaction to it is laughter. That's always the desired reaction.

Watch Lonely Island's Video for 'Jack Sparrow' Ft. Michael Bolton

You've worked with Akon and T-Pain, who are ridiculous but at the same time their hooks totally rule. It doesn't matter what they're saying, they sing it exactly the same way.

Samberg: Akon and T-Pain are both pretty funny guys. I think that they know that they're being over-the-top more than people give them credit for.

Look at T-Pain's hat. You can tell he's gotta know.

Samberg: T-Pain is straight-up hilarious. He did this whole special for a cartoon I worked on and he has an 'Aqua Teen Hunger Force' chain.

Awesome. I hear that Odd Future are doing a pilot for Adult Swim.

All: Really?

Samberg: That does not surprise me at all. I would love to watch that.

Did you ever consider trying to work with them.

Taccone: We're friends with those guys.

Samberg: They weren't even out when we made this record.

How do you decide which songs get music video treatments?

Schaffer: Almost all of our songs we'd love to make music videos for just because humor is much easier to "get" when it's being told visually and through audio.

Samberg: There are still songs from our old albums that we'd love to make videos for. It's just about time.

Let's hear an anecdote about one of the guest stars you made this record with. 

Schaffer: I can tell you that Akon is a delightful guy that is always smiling, totally got it. He would show up as a ray of sunshine on set. Delightful to be there and just super fun all day.

Taccone: When we hung out with Beck all we did was watch B-movies in his little music-making area that were all like Jared Hess, homemade movies by these kids in the Midwest who get their boss and their cousins and their friends and they make a move for literally zero dollars, like a sci-fi epic in the woods behind their house.

Samberg: Or like medieval dragonslayer styles.

Taccone: We just hung out there and nerded out with him.

How about Michael Bolton?

Samberg: Punched me in the face! An-nec-dote! That was a craaazy day.

Schaffer: That's his thing. He has a tan. Not like a weird one, but one that makes him seem very worldly, like he's seen the sun from a lot of different angles from all over the globe and at different levels from the equator or whatnot that gives him a well-rounded, sunny look -- he's the man.

Samberg: I don't want to say "cut from marble," but I want to. Some sort of precious stone.

James bluntest

And now, 45 answers to the question that will no doubt result from this entry: “How is James Blunt’s 2005 ode to a stolen glance on the Underground not higher than No. 45 on a worst songs of the ’00s list? Really now.”





1. It was only No. 1 on the Billboard Hot 100 for one week.
2. It was unseated by Ne-Yo! That’s an Idolator success story right there.
3. Even though it seems like it stuck around forever, thanks to incessant licensing.
4. Its success led to Linda “And I Say HEYYY AYYY AYY YEAH YEAH” Perry lecturing The New York Times on the dangers of pop songs’ ubiquity.
5. It brought British artists back to the chart’s summit for the first time since “Candle In The Wind 1997.” And nobody had to die! Well, before its release, anyway.
6. People who found it irritating enough to make the top 10 of a Rolling Stone poll of annoying songs only found it slightly more objectionable than the Spice Girls’ awesome “Wannabe.”
7. But less so than Lou Bega’s “Mambo No. 5.”
8. (Which came out in 1999 and is thus ineligible for this poll, in case you were wondering.)
9. Somehow, Blunt only says the phrase “You’re beautiful” nine times during the course of the song. But it seems like so many more, I know.
10. When asked about the song’s origins by Oprah Winfrey, James answered that they were “kind of miserable” while grinning. Oh, those Brits!
11. In the original edit of the song, James was “fucking high”; in the much-more-popular radio edit, he was “flying high.” So wait, is he on drugs or full of himself? Hmm.
12. The piano part is pretty.
13. And when you think about it in the grand scheme of things, “You’re Beautiful” is not that bad.
14. No, really, it’s not!
15. Play this back-to-back with unsecured loans [REDACTED HIGHER-RANKING SONG] and [REDACTED HIGHER-RANKING SONG] later this week and you’ll see what I mean.
16. And it’s probably at least on irritating-earworm par with whatever song is playing in your local Walgreen’s right now.
17. Although his Rod Stewart affectations are kind of irritating.
18. At least this song doesn’t utilize the production techniques of, say, “Downtown Train,” though.
19. Nevertheless, when he takes his flying leap off the cliff at the end of the video you’re kind of hoping he succeeds in his dramatic mission.
20. OK, OK. Let me think.
21. …
22. Hm …
23. He has nice lips!
24. And good hair.
25. Great hair, even.
26. “It was about seeing my ex-girlfriend on the Underground in London with her new man who I didn’t know existed. She and I caught eyes and lived a lifetime in that moment, but didn’t do anything about it and haven’t seen each other since,” James told O when asked about the song’s meaning. Who among us can’t relate?
27. Then again, its bland longing is so universal, other people think it’s about first love.
28. Maybe this is why Blunt later called the song “one of the least meaningful songs on the album and by no means people’s favorite”?
29. Of course, in the same interview, he compared himself to Bob Dylan, so all bets are off.
30. And said “Commercialism is an ugly thing to focus on,” which see No. 3 above.
31. Oh dear, this is proving to be much more difficult than I originally thought. Should I call Chris?
32. Then again, is this really worse than [REDACTED]? Or [REDACTED]?
33. It’s almost as if the irritating qualities that it possessed in multiples back in 2005-2006, which were white-hot then thanks to the track’s Lite-FM ubiquity, seem kinda quaint these days.
34. Like, if you had to pick between “You’re Beautiful” bad credit loans  and “I Gotta Feeling” as far as a song that drove you crazier were it to be placed on endless repeat at this exact moment in time, which would you choose?
35. The sappy, “meaningless” ballad from a one-hit blunder or the clinically / cynically designed weapon for Eternal Professional-DJ Domination?
36. I mean, neither’s on the side of the angels here, but I know which I’d choose.
37. Fight the real enemy, man.
38. Yeah.
39. Yeah!
40. That said, we really shouldn’t pay him any more mind than No. 45, given that he’s still being a jerk about the whole “Weird Al” parody.
41. I mean, who turns down “Weird Al”?
42. Kurt Cobain didn’t.
43. And neither did Gerardo!

kavinsky!

Here we have French electro star Kavinsky unsecured loans - known for bad credit loans his 80’s sound, getting remixed by Scottish club-popper, Studio Brussels. Sexy vocals and a fresh take on Kavinsky’s old school sound has this song meshing better than memory foam. Check out more by Studio Brussels at the links below.

Kavinsky - Nightcall (Studio Brussels Remix)